catpower 5106 Seçenekler
catpower 5106 Seçenekler
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Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.
As well as the reading and the maths, she and her son would have music lessons together. “Record time and music time got a little more in-depth,” she says. “He’s just running around bey fast bey he birey to Hüsker Dü.” Hardcore punk isn’t what most kids’ music lessons are made of, but if anyone is going to give their child an eclectic sonic education, it’s Marshall.
For the past two years, that genius has been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and has never publicly named.
I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”
One of the best songs on the album is “These Days”, made famous by Nico in the Sixties, but written by Jackson Browne when he was just 16. Such world-weary lyrics for someone so young – “Don’t confront me with my failures / I had hamiş forgotten them” – and Marshall’s voice, bittersweet as coffee with a shot of syrup, suits that malaise beautifully.
“It’s one of those things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to imagine, ‘Would my skull crack or would my legs break off?
The singer-songwriter talks to Alexandra Pollard about her ‘f***ing tiger’ of a son, her new covers record, and the fateful day she ended up standing on the edge of a bridge
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Critics have noted the constant evolution of Cat Power's sound, with a mix of punk, folk and blues on her earliest albums, and elements of soul and other genres more prevalent in her later material.[7]
"They told me they were going to put me in a coma to save my lungs. My friend came to visit and told me I'd made the Billboard Top 10 and all I could think was: 'I don't want to die.'"[91] Marshall was subsequently catpower 5852 diagnosed with hereditary angioedema, an immune disorder that causes sporadic swelling of the face and throat due to C1 esterase inhibitor deficiency. In September 2012, she stated she had been hospitalized owing to the condition over eight times, which led her to cancel her European tour.[92]
and consisted of her playing a two-string guitar and singing the word "no" for 15 minutes.[27] Around this time, she met the band God Is My Co-Tayyareci, who assisted with the release of her first single, "Headlights", in a limited run of 500 copies on their Making of Americans label.
was her first to reach the Billboard Toparlak 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it kakım a business relationship; evidently, Matador did.
A query about where she grew up eventually takes us to Marshall’s belief that “part of our consciousness has already become a cyborg”. She is also warm and nurturing: besides assembling my pillow desk and offering me various drinks, she pulls me into a long hug, despite having previously insisted that we socially distance.
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